Last night was relatively relaxing—we had a nice dinner, no Franco Surprise after dinner, so I took a long shower (which apparently had rust in the pipes...I was little disturbed by the brownish water flooding down the drain for the first five minutes) and was in bed by 9:45. Aside from basically sleepwalking to the door to let my last roommate in (we were in a triple) at around 11:00, I slept like the dead until 5:00, when for some inexplicable reason the phone started ringing. We thought it was a wakeup call at first—but it wouldn’t stop ringing. Leaving it off the hook just changed the noise to a loud dial tone, so there was a brief scramble to unplug the phone, and we all promptly fell back asleep until our real wakeup time at 7:00 (thankfully my roommates both set their own alarms). Apparently the mysterious ringing happened to almost every room—none of us knows why it happened, but we survived it :)
We drove a short distance and then walked to Ortygia Island, a tiny little island off the southern point of Sicily. We saw the Spring of Arethusa, which is remarkable as a freshwater spring that happens to be situated only a few meters from the coastline. This sort of phenomenon was fascinating to the ancient Romans, so naturally there's a myth about it. In as short a summary as I'm capable of: Arethusa was a water nymph and a follower of Artemis, the virgin goddess of the hunt. The river god Alpheus (a river in Greece) fell in love with her and when she rejected him because she wanted to remain a faithful follower of Artemis, he pursued her until she transformed into water and fled through a crack in the ground to Ortygia Island, becoming a freshwater spring.
It's a pretty little spring!
That huge clump of plants in the middle are papyrus plants. So, if you were ever wondering what the plant that paper originally came from looked like, there it is.
The spring had a bunch of these big white ducks hanging around it.
From there, we made our way to a Baroque cathedral (supposedly the oldest Christian church in Europe) that had been built up around a temple to Athena, so many of the original columns and the cella (temple interior) walls were still visible and in use. I’m always somewhat conflicted about Church appropriation of ancient temples and sanctuaries. On the one hand, these structures likely would not have survived to the present day without that repurposing. On the other hand, they destroy a lot of the most fascinating elements of the temples, so argh!
Here's the front of the cathedral. If you're wondering how a Baroque facade can exist on the oldest Christian church in Europe (which is a claim made by the church, I don't know if there's historical evidence to support it), the facade was added in the 18th century.
Here you can see the original columns stuck in the outside wall--essentially what they did was fill in the spaces between the columns with bricks.
On the right, you can see the rest of the column inside the wall. The wall on the left is the original cella wall, with arches cut into it to facilitate movement through the church. As you can see, the inside is...kinda plain.
We then moved on to the remains of the Temple to Apollo, which has an inscription with an extremely rare example of a digamma, a mostly lost Greek letter. I have never taken Greek, so unfortunately I’m not the person to explain it, but even just from a linguistic standpoint it’s very cool. We were in a bit of a rush, so while I pulled out the binoculars, I’m not certain I found the actual letter, and thus have no pictures of it. But the rest of the temple is quite pretty. Incidentally, it's also the earliest Doric temple in Sicily, from somewhere around 600 BCE.
The temple, from various sides. We didn't get to go down in among the ruins of this one, sadly. The columns here are rather unusual--they're very close together, as if the builders weren't quite confident in the columns' ability to hold up the roof. They're also monolithic--carved out of a single chunk of stone rather than drums stacked on top of one another. This would become fairly common later, but this is one of the first occurrences of it.
As I said, this isn't a picture of the actual digamma, but you can (barely) see the inscription that it's a part of. on the front side of the top step, you should be able to see the engraved Greek letters.
After visiting the temple, we made our way back to the bus through a local marketplace, which had tons of fresh fruit, nuts, cheeses, and fish. I ducked inside a small shop and found a bar of dark chocolate with sea salt in it—the Italians really mean it when they call something dark chocolate—it’s 70% cocoa, and it’s one of the richest chocolate bars I’ve ever had. Next was a trip to a clump of sites (and thus more tourists...boo) in a small park that included a huge altar, a Greek theater, a Roman amphitheater, and ancient stone quarries. Our first stop was at the Altar of Hieron II, one of the tyrants of Syracuse. A brief note for those unfamiliar with Greek history—the negative connotation of the word tyrant is a relatively modern one, in Greek times it simply referred to a single person with full ruling power. Hieron II was in fact quite well-loved by his subjects, and helped to make Syracuse a major power in its time. Anyway, this altar is to Zeus Elutherios (the Liberator), and is the largest altar found in Magna Graecia—it’s 106 m long and 11 m wide.
Biiiiiiiiig altar. There was an annual sacrifice of about 450 oxen here.
The Greek theater was a short walk away and was simply spectacular. A Roman theater tends to be built up from the ground anywhere they decided it would be nice to have a theater, while a Greek theater would be built into a hillside, utilizing the natural slope of the hill to create the seating. The theater at Taormina is an odd blend of the two styles of seating, but this is a primarily Greek theater (the Romans did come in and make adaptations later, but the seating remains the same), so there are huge sections of seating cut straight out of the natural limestone hillside.
The theater, from near the top of the seating, with lots of people scattered around to give you perspective. You can also see how it grows up the side of the hill.
The whole theater, along with the beautiful view behind the stage. It's very difficult to get high enough to get an overall view like this, but absolutely worth it.
At the top of the hill, cut into another large chunk of rock, were some shaded areas to sit and relax (Greek theater was an all-day affair in the sun, so the patrons would want a shaded place to sit during the breaks between the plays), including a Museion—a small shrine dedicated to the Greek Muses. It was in a small cave with a beautiful gushing waterfall (from a nearby aqueduct), and a fantastic view nearby of the entire theater.
The theater, from near the top of the seating, with lots of people scattered around to give you perspective. You can also see how it grows up the side of the hill.
The whole theater, along with the beautiful view behind the stage. It's very difficult to get high enough to get an overall view like this, but absolutely worth it.
At the top of the hill, cut into another large chunk of rock, were some shaded areas to sit and relax (Greek theater was an all-day affair in the sun, so the patrons would want a shaded place to sit during the breaks between the plays), including a Museion—a small shrine dedicated to the Greek Muses. It was in a small cave with a beautiful gushing waterfall (from a nearby aqueduct), and a fantastic view nearby of the entire theater.
I really liked this little fountain!
The fountain is fed by the waters of a nearby aqueduct--it was quite noisy, but in a good way, drowning out all the chatter nearby. I spent a fair amount of our free time just sitting here and soaking up the atmosphere.
My eyes are closed because the sun was ridiculously bright--another good reason to stay next to the cooler water source!
After the theater, we made our way to the nearby limestone quarries, which are huge. The acoustics are also spectacular, so naturally everyone stood inside and yelled or clapped or made random noises to hear them echo throughout the caves.
Oh look, ROCKS! And if anyone can tell me where that quote comes from (without looking it up—no cheating), I will bake you cookies the next time I see you in person. This is the part of the quarry that we got to go into. I happened to catch sight of a small hole halfway up the cliff with some strange things hanging down. Making good use of the binoculars I appear to be the only person to have thought to bring (to be fair, they’re not often useful, but I’m glad I have them), I zoomed in—apparently it was a bee or hornet nest, with the strangest combs I’ve ever seen. Sadly, they didn't photograph well. I was just glad they were high up in the cliff—I would be happy if I never saw a stinging insect any closer than through my binoculars ever again.
This is our group entering the 70 foot high quarry. None of my pictures of the inside came out well.
This is our group entering the 70 foot high quarry. None of my pictures of the inside came out well.
Our last stop in the little park was at another small Roman amphitheater, which we sadly could not go down into, but we had some nice views from the outside ring. We were already half an hour late for lunch at this point, so we sort of rushed through it so we could get back to the hotel and eat before it got any later.
The amphitheater! No, we don't really know what the hole in the center is--the best guess we had was that it was added later as a fountain, after the amphitheater was no longer in use for games.
A fairly complete picture of the Centristi swarming the amphitheater. We're a big group! (And we're very serious about our picture-taking--if there are ways to climb up for a better view, we will find it)
A fairly complete picture of the Centristi swarming the amphitheater. We're a big group! (And we're very serious about our picture-taking--if there are ways to climb up for a better view, we will find it)
After lunch, our last visit was to the Castle of Euryalus, which is the modern name and a bit of a misnomer. More accurately, it’s a nearly impregnable fortress situated on a critical ridge, and in its final phase it had defenses designed by the mathematician Archimedes (some of which are incomplete, as the fortress fell and he died before they could be completed). Even in its current ruined state, it’s a forbidding area—the walls that remain are thick and made of huge blocks of limestone, there are mazes of tunnels underneath, and the whole thing is essentially on a top of a hill with nothing but flat fields for miles in every direction. It was an incredibly important part of the defense of Syracuse, and stopped the Romans in their tracks for quite a long time until they managed to trick their way past it. In all its history, it never once fell to a siege.
The guy who did his site report on this site described it as "a big pile of rocks"--which it is. But it's a cool pile of rocks!
...a big, cool pile of rocks.
This is part of the inside of the fort. Again, big! We had lots of time to run around and explore this place, which was lots of fun.
The stairs down to one of the aforementioned tunnels. Yes, I went running around in the tunnels (I mean, duh), but the photos didn't come out very well. Eventually they dragged us out of the ruins to get back on the bus, where I'm writing this on our way to the hotel for the night, in Piazza Armerina. There's not much to see in them--they're just long tunnels cut straight out of the rock, but it was fun to go in one and randomly come out somewhere completely different. I keep having to check our schedule to remember what on Earth I’ve done in the past ten hours!
(Later at the hotel, getting ready for bed) We just had what I think has been my best meal in Italy, and definitely ranking in the top meals of my life. There was spectacular lasagna and rosemary chicken and oven roasted potatoes and little almond cookies for dessert, and it was all YUM. This isn't really relevant to anything, I'm just gloating :)
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